![]() ![]() Set in 1984, Affleck stars as Nike founder Phil Knight. Director Ben Affleck’s “Air” invites audiences into Nike headquarters to experience the story behind the popular shoe that was built solely for the legendary athlete for which it is named: From the basketball court to the streets and even the catwalk, the Nike sneakers have become a staple of American culture. Today, there are 37 different variations of Air Jordan models available. Anchored by Scanlan’s nuanced lead performance, the film ends up a beautiful, jagged exploration of the messy nature of being human. It’s an imperfect little film about the imperfect little relationships that life often thrusts us into at our lowest points and a reminder of how certain kinds of people can keep affecting us long after they’re buried. When Mary’s husband dies and Genevieve begins to suspect that her lover isn’t returning, they’re drawn together by the shared experience of grieving the person you’ve given your life to - and by the fact that they’re both hung up over the same guy.Īleem Khan’s feature directorial debut is a slow, meticulous examination of the role that devotion plays in our lives and the gaping void that can be left when you lose the basket with all your eggs in it. Genevieve was so enamored with a married man that she had a decades-long affair with him while raising his illegitimate child. Mary (Joanna Scanlan) loved her Pakistani husband so much that she converted to Islam for him, and spent her life wearing a head scarf while living a quiet life in rural England. ![]() ![]() This article includes contributions from Siddhant Adlakha, Carlos Aguilar, Christian Blauvelt, Jude Dry, Kate Erbland, Steph Green, Ella Kemp, Ryan Lattanzio, Marisa Mirabal, Rafael Motomayor, Christian Zilko, and Esther Zuckerman. We will be updating and refining this list throughout the year as new films are released. Here are our picks for the 20 best movies of 2023 (so far). With new work from masters like Martin Scorsese and Wes Anderson on the immediate horizon - and staggering instant classics like Celine Song’s “Past Lives” set to open in theaters in just a few weeks’ time - there’s reason to hope that our already excellent year in film is only just starting to heat up. “M3GAN,” “Are You There God? It’s Me, Margaret”), while auteur-driven fare like Ari Aster’s “Beau Is Afraid” and Makoto Shinkai’s “Suzume” have taken such great pleasure in confounding them. But the most pleasant surprise of the movie year so far is that several of this winter and spring’s new releases have wildly over-delivered on expectations (e.g. Many of the early highlights - including heartstopping immigration dramas “R.M.N.” and “Tori and Lokita,” as well as the more narcotized likes of “Godland” and “Pacification” - are inevitable holdovers from last year’s Cannes lineup, while more recent festival breakouts like “Rye Lane” and “A Thousand and One” have already made their way down the mountain from Sundance. 2023 is only five months old and many of the year’s most anticipated films are still waiting in the wings for their summer or fall debuts, but the year has already provided an absolute smörgåsbord of cinematic delights for those who know where to look (or are lucky enough to live in the kind of place where AMC isn’t the only game in town).
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